
When I started playing guitar years ago, I always dreamt of the day when I would finally be able to own a
Gibson Les Paul guitar. I loved the look, and the symmetry of the design, long before I had ever even plugged one in and heard their amazing tone. Then after I had been playing for only a few years, a fortuitous thing happened. A friend who needed money badly to pay his rent, offered to sell me his Les Paul. He had done some customizing work to it, and really, had messed it up a bit, but I offered him all of the money I had been saving for the day when I would finally be able to buy a Les Paul, and he accepted. Three hundred dollars later I was the proud owner of a 1977 Gibson Les Paul Standard (pictured), and I started the difficult task of trying to undo the work he had done, and bring it back as close to stock as possible. I had a friend who was a Gibson dealer, and he sold me the needed hardware at cost, and after a short period of time, I had it the way I wanted it, and own the guitar to this very day.
Why am I talking about my silly guitar, you ask? Well, it's because on Thursday, August 13th,
Les Paul died at the age of 94 years.
Many of you might not realize this, but Les Paul is responsible for so many of the things that musicians take for granted on a daily basis. He gave us the first solid body electric guitar. Before that, the guitars that people played on stage were likely likely to be hollow with arched tops, and if they had a pickup, and were plugged in, they were much more likely to feed back. Solid body guitars have a completely different sound, but allow you to play with your amp set really loudly, and they won't feed back.
Les also gave us multi-track recording. The idea that an instrument can have its own separate track which gives you ultimate control over how that instrument/track sounds, and how it sits in the final mix.
Les also pioneered the technique of close-miking sound sources. Prior to Les, microphones would typically be placed far away from the sound source that they were recording, which would result in a more distant, less present sound. Les decided that it might be cool to put the microphone more like six inches away from the singer, or instrument, which resulted in a more present sound, and to this day is the way most things are recorded.
The guy was also one of the greatest guitarists who ever lived.
Quite a legacy, eh?
So the next time you pick up your solid body electric guitar, stick a microphone in front of your amp, and record it to its own track on some sort of multi-track recording device, think of Les.